Wednesday, July 29, 2015

10 Reasons Plasma Died





Many videophiles lament the discontinuation of plasma-TV production by the major manufacturers. What factors contributed to its demise?

While this is far from the first list of factors that led to the extinction of plasma, I wanted to visit the topic one last time. The catalyst for this list are my recent experiences with FALD (full-array, local dimming) LCD UHDTVs and various OLED UHDTVs. I still own a 64" Samsung F8500 plasma; it serves as a reminder of how technology doesn't always progress in a straight line. Sometimes, there are setbacks when it comes to peak performance.

Just when it seemed plasma TVs had caught up to the performance benchmark set by the Pioneer Kuro—the Panasonic ZT60 and Samsung F8500 were notably great TVs—the major manufacturers pulled the plug on plasma production. Here are 10 reasons you can't buy one anymore.

1. Bright showroom conditions put plasmas at a distinct disadvantage versus LED-lit LCDs that can output much more light, allowing them to stand out in bright environments.

2. Aesthetics may have played a role in hastening plasma's demise. There are limits to how thin you can make a plasma, and edgelit LCDs (and OLEDs) are thinner than that. Unfortunately, high-end LCDs didn't just outshine plasmas in the showroom—they also looked sexier.

3. UHD/4K caught on quickly, and it's difficult—if not impossible—to build UHD/4K plasma TVs in popular screen sizes. Panasonic developed a few giant UHD plasmas, but they were not consumer products. 

4. Screen-size limitations also played a part in plasmas plight. The vast majority of 1080p plasmas came in sizes ranging from 42 to 64 Inches, while 1080p LCDs were—and continue to be—available in a much wider variety of screen sizes.

5. You can't bend a plasma. I hate to think that being flat contributed to the death of the technology, but the last two companies to produce plasma TVs were LG and Samsung. Both companies are committed to selling UHD/4K curved-screen TVs. 

6. Plasmas were harder to deal with than LCDs. They are heavier and yet more fragile than many LCDs. Shipping a plasma requires a large box that must remain upright. Plus, plasmas developed a reputation for being susceptible to image retention and screen burn-in, which was much more of a real problem in the early days of plasma, but the reputation stuck. 

7. While OLED is still in the early stages of development, there's no question it offers greater potential than plasma. OLED is the future of emissive display technology. It should not come as a surprise that LG and Samsung stopped building plasmas—which are also emissive—shortly after OLED debuted.

8. Energy efficiency may have played a part in putting plasma out to pasture. Both LED-lit LCD and OLED are more energy-efficient display technologies than plasma. 

9. Plasma was the original flat-panel technology, and that worked against it. It did not matter that it was a mature technology capable of offering superior performance. People just thought of it as old technology.

10. Projectors improved in quality and prices dropped. With LED-lit LCDs being well suited to bright rooms, the existence of decent 1080p projectors for under $2000 may have affected sales of flagship plasmas.


sursa: avsforum.com

Saturday, July 25, 2015

SÉURA SUPER-SIZES ITS STORM ULTRA BRIGHT OUTDOOR TV




These days, the last thing in the world I want to think about is going outside. Truth be told, it’s still too hot and humid to take Bruno for walkies at 9pm. But decent weather is just around the corner, and I’ll crawl out of my summer hiding place in a few months. It’s nice to know, though, that even if the Alabama heat is too much for this Wookiee, it’s not too much for Séura’s latest outdoor TV.
A few months back, we told you about the company’s new Ultra Bright line of outdoor televisions, which feature stunning panel brightness, dual anti-reflective LuminOptics screen coatings to keep the picture perfectly viewable even in direct sunlight, and a super-quiet Activ Airflow System designed to keep the sensitive electronics inside the displays from overheating, even in blistering 140°F heat. If there was any bone to be picked with the new Ultra Bright lineup, it’s that display sizes only ranged from 42 to 55 inches (with a 47-incher in between), which is a little on the small side when we’re talking about Ultra HD screens.
The company just announced this week the addition of one additional screen size: a whopping 65-incher that’s perfect for watching sports or just chilling out in or around the pool for a summer movie marathon. The new 65-inch Storm Ultra Bright delivers a stunning 630 nits of screen brightness and all of the other picture-enhancing and environment-thwarting technologies of its smaller brethren, including its UV coating and anti-reflective screen coating.
In addition to being able to beat the heat, the 65-inch Storm Ultra Bright is also designed to withstand winter temperatures down to a bone-chilling -30°F, and it features IP56 waterproofing thanks to its Triple Lock Seal, which also provides protection against moisture, ice, dust, bugs, and any other environmental elements that you wouldn’t want mucking up your TV.
“We’re incredibly excited to offer this new expansion to our Outdoor TV product line,” said Gretchen Gilbertson, CEO and Co-founder. “With the increase in popularity of outdoor living spaces, we wanted to make sure our customers were provided with the very best we have to offer, and in the television sizes they desire. With the incredible screen size, combined with the design and technology of the Séura Storm Ultra Bright product line, we have helped our customers have the ultimate outdoor experience.”
There’s no word yet on exact pricing for the new 65” Séura Storm Ultra Bright, but it is expected to begin shipping in September. For more information, visit seura.com 














sursa: hdliving.com

Wednesday, July 22, 2015

INTEGRA’S NEW RECEIVERS ARE READY FOR DTS:X (eng)

   


   When DTS first announced its own competitive object-based surround sound format—DTS:X—we knew that a number of new receivers and surround processors would be popping up on the market to support the format, including new models from Integra. We just didn’t know when, exactly, or what other features those new models would boast. This week, all of those questions were answered when Integra announced two new models with DTS:X and Dolby Atmos capabilities, as well as one new receiver with Atmos but no DTS:X.
   DTS:X or not, all three models sport 384 kHz / 32-bit Asahi Kasei Microdevices digital-to-analog converters, HDMI connectivity with support for HDCP 2.2 copy protection and the latest 4K standards (including High Dynamic Range), and a number of features specifically designed for custom installation, including powered second zone outputs, bi-direction Ethernet and RS-232 control, smart grid readiness, and tons of control inputs and outputs that can be custom configured by your home tech specialist.
   All three new models are also network connected and feature 7.2 channels of output, which means that you can opt for a standard seven main speakers and two subs, or five speakers at ear level, two overhead, and two subs (aka 5.2.2). The new lineup also features WiFi and Bluetooth capabilities, Advanced Music Optimizer processing to improve the clarity of compressed tunes from streaming sources or your local library, as well as a CinemaFILTER setting that properly balances the sound of movie soundtracks mixed for large venues, to improve the sound quality in your smaller home theater space.
   In addition to these common features, the DTR-20.7 boasts 65 watts per channel of amplification (into 8Ω; 115 watts per channel if you’re driving 6Ω speakers). It features a total of six HDMI inputs and one output, with a total of three of the inputs supporting next-generation HDCP 2.2 copy protection. It’s expected to sell for $800 USD/$1,050 CAD.
   Stepping up from the DTR-20.7 to the DTR-30.7 not only gives you support for DTS:X (in a future firmware upgrade), it also results in a pretty beefy power increason: 100 watts per channel into 8Ω loads, and 170 watts per channel into 6Ω loads. The DTR-30.7 also features multichannel preamp outputs and a phono input, along with more advance multi-room audio capabilities. It’s expected to sell for $1,100 USD/$1,450 CAD.



   At the top of the pile (for now), Integra’s THX Select 2 Plus Certified DTR-40.7 ups the output power to 110 watts per channel into 8Ω loads, and 175 watts per channel into 6Ω loads. It’s also the only model amongst the new three that is rated to handle 4Ω loads. The 40.7 also adds HDBaseT capabilities to the line’s impressive array of digital connectivity, which, in case you’re not familiar, allows for HDMI audio and video signals to be transmitted over long distances via CAT5e/6 cable. The DTR-40.7 also, of course, features a standard Ethernet port for network connectivity. Like the DTR-30.7, it can also deliver second-zone audio via coaxial or optical digital, and features seven fully featured HDMI inputs (three of them HDCP 2.2 compliant) and two HDMI outputs. It’s expected to sell for $1,400 USD/$1,800 CAD.



sursa: hdliving.com