Thursday, July 30, 2015

Top 10 Things to Think About When Planning Your Home Theater

   


   Are you lost in a maze of decisions about how to set up your home theater? Here are 10 things to think about as you begin your journey.

   Creating your own home theater can be overwhelming, even with a resource as rich as AVS Forum, where many members are more than willing to help newbies engage in the hobby we all love. There is so much to think about—where do you start? 

   How about right here—a list of the top 10 things to think about when setting up your home theater, be it a TV and small speakers in a family room or a dedicated, custom-built home cinema. Each of these items is linked to a list of the top 10 things you need to know about them to make the best decisions for your particular circumstances. In each case, many AVS members have chimed in to add their perspective and share their experiences, which makes these lists all the more valuable.

Let the journey begin!

Flat Panel or Projector?

   This is one of the first questions to ask yourself as you contemplate creating your new home theater.

HD or UHD?


   Is it better to be an early UHD adopter or stick with HD until the dust settles?

Aspect Ratio, Screen Size, and Seating Distance

   What shape should the screen be? How big should it be? How far should you sit from it?

Acoustics

   The room itself is a critical component of the sound system that greatly affects what you hear.

Viewing Environment

   Just as acoustics affect what you hear, the viewing environment affects what you see. 

Speaker Configuration and Placement

   Can you ever have too many speakers? And where should you put them all?

Cabling

   Plan ahead for best results. Do you need to spring for expensive cables? 

Setup and Calibration

   Optimizing the audio and video components for best performance.

System Control

   Remote controls seem to breed like rabbits, but there are several ways to combat this scourge of many home theaters.

Internet Streaming and Downloading

   Online streaming and downloading is fast becoming a must-have source of AV content.



sursa: avsforum.com

Wednesday, July 29, 2015

10 Reasons Plasma Died





Many videophiles lament the discontinuation of plasma-TV production by the major manufacturers. What factors contributed to its demise?

While this is far from the first list of factors that led to the extinction of plasma, I wanted to visit the topic one last time. The catalyst for this list are my recent experiences with FALD (full-array, local dimming) LCD UHDTVs and various OLED UHDTVs. I still own a 64" Samsung F8500 plasma; it serves as a reminder of how technology doesn't always progress in a straight line. Sometimes, there are setbacks when it comes to peak performance.

Just when it seemed plasma TVs had caught up to the performance benchmark set by the Pioneer Kuro—the Panasonic ZT60 and Samsung F8500 were notably great TVs—the major manufacturers pulled the plug on plasma production. Here are 10 reasons you can't buy one anymore.

1. Bright showroom conditions put plasmas at a distinct disadvantage versus LED-lit LCDs that can output much more light, allowing them to stand out in bright environments.

2. Aesthetics may have played a role in hastening plasma's demise. There are limits to how thin you can make a plasma, and edgelit LCDs (and OLEDs) are thinner than that. Unfortunately, high-end LCDs didn't just outshine plasmas in the showroom—they also looked sexier.

3. UHD/4K caught on quickly, and it's difficult—if not impossible—to build UHD/4K plasma TVs in popular screen sizes. Panasonic developed a few giant UHD plasmas, but they were not consumer products. 

4. Screen-size limitations also played a part in plasmas plight. The vast majority of 1080p plasmas came in sizes ranging from 42 to 64 Inches, while 1080p LCDs were—and continue to be—available in a much wider variety of screen sizes.

5. You can't bend a plasma. I hate to think that being flat contributed to the death of the technology, but the last two companies to produce plasma TVs were LG and Samsung. Both companies are committed to selling UHD/4K curved-screen TVs. 

6. Plasmas were harder to deal with than LCDs. They are heavier and yet more fragile than many LCDs. Shipping a plasma requires a large box that must remain upright. Plus, plasmas developed a reputation for being susceptible to image retention and screen burn-in, which was much more of a real problem in the early days of plasma, but the reputation stuck. 

7. While OLED is still in the early stages of development, there's no question it offers greater potential than plasma. OLED is the future of emissive display technology. It should not come as a surprise that LG and Samsung stopped building plasmas—which are also emissive—shortly after OLED debuted.

8. Energy efficiency may have played a part in putting plasma out to pasture. Both LED-lit LCD and OLED are more energy-efficient display technologies than plasma. 

9. Plasma was the original flat-panel technology, and that worked against it. It did not matter that it was a mature technology capable of offering superior performance. People just thought of it as old technology.

10. Projectors improved in quality and prices dropped. With LED-lit LCDs being well suited to bright rooms, the existence of decent 1080p projectors for under $2000 may have affected sales of flagship plasmas.


sursa: avsforum.com

Saturday, July 25, 2015

SÉURA SUPER-SIZES ITS STORM ULTRA BRIGHT OUTDOOR TV




These days, the last thing in the world I want to think about is going outside. Truth be told, it’s still too hot and humid to take Bruno for walkies at 9pm. But decent weather is just around the corner, and I’ll crawl out of my summer hiding place in a few months. It’s nice to know, though, that even if the Alabama heat is too much for this Wookiee, it’s not too much for Séura’s latest outdoor TV.
A few months back, we told you about the company’s new Ultra Bright line of outdoor televisions, which feature stunning panel brightness, dual anti-reflective LuminOptics screen coatings to keep the picture perfectly viewable even in direct sunlight, and a super-quiet Activ Airflow System designed to keep the sensitive electronics inside the displays from overheating, even in blistering 140°F heat. If there was any bone to be picked with the new Ultra Bright lineup, it’s that display sizes only ranged from 42 to 55 inches (with a 47-incher in between), which is a little on the small side when we’re talking about Ultra HD screens.
The company just announced this week the addition of one additional screen size: a whopping 65-incher that’s perfect for watching sports or just chilling out in or around the pool for a summer movie marathon. The new 65-inch Storm Ultra Bright delivers a stunning 630 nits of screen brightness and all of the other picture-enhancing and environment-thwarting technologies of its smaller brethren, including its UV coating and anti-reflective screen coating.
In addition to being able to beat the heat, the 65-inch Storm Ultra Bright is also designed to withstand winter temperatures down to a bone-chilling -30°F, and it features IP56 waterproofing thanks to its Triple Lock Seal, which also provides protection against moisture, ice, dust, bugs, and any other environmental elements that you wouldn’t want mucking up your TV.
“We’re incredibly excited to offer this new expansion to our Outdoor TV product line,” said Gretchen Gilbertson, CEO and Co-founder. “With the increase in popularity of outdoor living spaces, we wanted to make sure our customers were provided with the very best we have to offer, and in the television sizes they desire. With the incredible screen size, combined with the design and technology of the Séura Storm Ultra Bright product line, we have helped our customers have the ultimate outdoor experience.”
There’s no word yet on exact pricing for the new 65” Séura Storm Ultra Bright, but it is expected to begin shipping in September. For more information, visit seura.com 














sursa: hdliving.com

Wednesday, July 22, 2015

INTEGRA’S NEW RECEIVERS ARE READY FOR DTS:X (eng)

   


   When DTS first announced its own competitive object-based surround sound format—DTS:X—we knew that a number of new receivers and surround processors would be popping up on the market to support the format, including new models from Integra. We just didn’t know when, exactly, or what other features those new models would boast. This week, all of those questions were answered when Integra announced two new models with DTS:X and Dolby Atmos capabilities, as well as one new receiver with Atmos but no DTS:X.
   DTS:X or not, all three models sport 384 kHz / 32-bit Asahi Kasei Microdevices digital-to-analog converters, HDMI connectivity with support for HDCP 2.2 copy protection and the latest 4K standards (including High Dynamic Range), and a number of features specifically designed for custom installation, including powered second zone outputs, bi-direction Ethernet and RS-232 control, smart grid readiness, and tons of control inputs and outputs that can be custom configured by your home tech specialist.
   All three new models are also network connected and feature 7.2 channels of output, which means that you can opt for a standard seven main speakers and two subs, or five speakers at ear level, two overhead, and two subs (aka 5.2.2). The new lineup also features WiFi and Bluetooth capabilities, Advanced Music Optimizer processing to improve the clarity of compressed tunes from streaming sources or your local library, as well as a CinemaFILTER setting that properly balances the sound of movie soundtracks mixed for large venues, to improve the sound quality in your smaller home theater space.
   In addition to these common features, the DTR-20.7 boasts 65 watts per channel of amplification (into 8Ω; 115 watts per channel if you’re driving 6Ω speakers). It features a total of six HDMI inputs and one output, with a total of three of the inputs supporting next-generation HDCP 2.2 copy protection. It’s expected to sell for $800 USD/$1,050 CAD.
   Stepping up from the DTR-20.7 to the DTR-30.7 not only gives you support for DTS:X (in a future firmware upgrade), it also results in a pretty beefy power increason: 100 watts per channel into 8Ω loads, and 170 watts per channel into 6Ω loads. The DTR-30.7 also features multichannel preamp outputs and a phono input, along with more advance multi-room audio capabilities. It’s expected to sell for $1,100 USD/$1,450 CAD.



   At the top of the pile (for now), Integra’s THX Select 2 Plus Certified DTR-40.7 ups the output power to 110 watts per channel into 8Ω loads, and 175 watts per channel into 6Ω loads. It’s also the only model amongst the new three that is rated to handle 4Ω loads. The 40.7 also adds HDBaseT capabilities to the line’s impressive array of digital connectivity, which, in case you’re not familiar, allows for HDMI audio and video signals to be transmitted over long distances via CAT5e/6 cable. The DTR-40.7 also, of course, features a standard Ethernet port for network connectivity. Like the DTR-30.7, it can also deliver second-zone audio via coaxial or optical digital, and features seven fully featured HDMI inputs (three of them HDCP 2.2 compliant) and two HDMI outputs. It’s expected to sell for $1,400 USD/$1,800 CAD.



sursa: hdliving.com

Monday, July 20, 2015

Xiaomi Mi TV 2S: un televizor 4K ieftin, cu un panou impresionant

   Xiaomi, gigantul producător de tehnologie din China, a anunţat un nou televizor 4K ultra subţire. Acesta se numeşte Mi TV 2S şi oferă capabilităţi de top la un preţ accesibil. Cu toate că avem de a face cu un televizor inteligent, marele său atu nu se regăseşte în funcţiile smart, ci în panoul său de 48”, care este capabil să afişeze un gamut de culoare YUV 4:4:4 necompresat, care se găseşte de obicei pe soluţii de afişare profesionale.
   Mi TV 2S se laudă cu afişarea de rezoluţii 4K la 60 de cadre pe secundă într-un corp ce măsoară doar 9,9 mm în grosime, ceea ce a dus la realizarea unei mufe de alimentare diferită, care să poată fi încorporată în acesta. Pentru un televizor cu asemenea capabilităţi şi o diagonală atât de mare, preţul de 485 de dolari este foarte mic, însă era de aşteptat, întucât televizorul va debuta exclusiv în China. Xiaomi nu lansează încă produse în Europa sau Statele Unite, însă este important să urmărim evoluţia gamei de produe ale sale, pentru momentul în care va ajunge şi în aceste regiuni.

   La capitolul capabilităţi smart, Mi TV 2S include un procesor quad-core la 1,4 GHz, 2 GB memorie RAM şi vine echipat cu Android Lollipop. Xiaomi susţine că va oferi acces la conţinut care valorează 10 miliarde de dolari prin intermediul acestui televizor, sugerând că va fi disponibil un număr impresionant de filme, seriale, muzică şi jocuri video la lansare. Debutul în magazine al lui Mi TV 2S este programat pentru data de 28 iulie, iar un pachet care va include televizorul şi o boxă de tip „soundbar” va fi de asemenea disponibil la preţul de 645$.
sursa: go4it.com

Thursday, July 16, 2015

Gama de televizoare Sony BRAVIA 2015 s-a lansat în România

   Sony a lansat în România noua gamă de televizoare din seria BRAVIA. Acestea sunt primele televizoare produse de compania japoneză care vin echipate cu sistemul de operare Android TV, oferind astfel compatibilitate cu filme, aplicaţii, muzică şi jocuri video fără a fi necesară conectarea altor dispozitive la acestea pentru a consuma conţinut.

   Seria BRAVIA primeşte astfel 13 modele UHD cu Android TV, şi 16 modele Full HD, dintre care 8 cu sistemul de operare de la Google. Modelele UHD oferă diagonale între 43 şi 85”, în timp ce variantele Full HD vin cu display-uri cu dimensiuni între 32 şi 65”. Graţie Android TV, televizoarele dispun de căutări şi comenzi cu ajutorul vocii folosind microfonul încorporat în telecomandă, iar cu ajutorul aplicaţiei Google Cast poţi reda conţinut de pe tablete şi telefoane mobile, indiferent dacă sunt bazate pe sistemul de operare Android sau iOS.
   Sony pune accentul pe două tehnologii disponibile în variantele de top ale televizoarelor sale noi: pe procesorul de imagine X1 şi pe sistemul de sunet High-Resolution Audio.Conform comunicatului de presă, noul proecsor de imagine poate face un upscale de calitate al conţinutului HD sau SD la rezoluţie UHD, redând culorile într-un mod natural şi afişând un negru profund şi zgomot redus. Sistemul de sunet de rezoluţie înaltă este disponibil doar pe modelele X94C şi X93C şi oferă experienţă auditivă superioară calităţii CD-urilor.

   Tot în noua gamă de televizoare BRAVIA se încadrează şi X90C, care este cel mai subţire model 4K al companiei Sony de până acum. Acesta adoptă noul design „Floating Style” şi măsoară doar 4,9 mm în cel mai subţire punct. Acesta vine la pachet şi cu un suport special pentru montură pe perete, asemeni unui tablou.
   Toate modelele noi de televizoare (4K şi Full HD) BRAVIA de la Sony sunt deja disponibile în magazinele de specialitate din România.



sursa: go4it.ro

Wednesday, July 15, 2015

Google pregăteşte Android TV, noua sa platformă multimedia pentru televizoare

   După eşecul avut cu prima platformă Google TV lansată în anul 2010, primită cu răceală de furnizorii de conţinut şi uitată aproape complet de public în anii ce au urmat, gigantul american face o nouă încercare lansând o versiune mult simpificată numită Android TV.
   Promiţând să revoluţioneze modul în care folosim televizorul la fel cum Android a revoluţionat telefonul mobil, platforma Google TV trebuia să ajungă până în anul 2012 să echipeze majoritatea televizoarelor cu funcţie Smart TV. Din păcate pentru CEO-ul Eric Schmidt, viziunea Google pentru transformarea televizorului într-o platformă inteligentă pentru divertisment s-a dovedit un eşec.
Google pregăteşte Android TV, noua sa platformă multimedia pentru televizoareGoogle pregăteşte Android TV, noua sa platformă multimedia pentru televizoare

   Venind cu lecţia învăţată, Google  nu va încerca şi de această dată să reinventeze televizorul, noua platformă Android TV reprezentând nimic altceva decât aducerea sistemului de operare Android la o formă mult simplificată, adecvată pentru răsfoirea cu ajutorul telecomenzii.
   Punând accentul pe simplitate, Google renunţă deocamdată la funcţiile ce nu sunt considerate absolut necesare unui televizor: telefonie, camere foto/video, NFC şi chiar suportul touch. Suplimentar, furnizorii de conţinut sunt atraşi cu interfeţe pentru aplicaţii gata făcute, în care aceştia nu trebuie decât să-şi adauge propriile  show-uri, muzică, filme, jocuri şi colecţii foto.
   Potrivit informaţiilor obţinute din surse neoficiale, platforma Android TV va debuta oficial peste puţin timp, oferind din start o selecţie generoasă de aplicaţii cu acces la diverse servicii de conţinut. Toate acestea prezentate într-o interfaţă rapidă şi simplu de folosit, gândită pentru a facilita accesul la conţinutul dorit cu minim de efort sau cunoştinţe de ordin tehnic.

sursa: go4it.ro

Monday, July 13, 2015

Inside Michael Bay’s Barco Home Cinema (eng)



Whether you call yourself a fan or not, anyone who takes an interest in cinema has heard of Michael Bay.
I can see you picturing nuclear-level explosions and impossibly glamorous woman in various disaster scenarios now; in short, he gives his following what they want.
You only need glance at his films’ box office results to see that this is a man who knows what he’s doing, so he probably isn’t too concerned that you didn’t care for Transformers: Age of Extinction – it made over US$1 billion.
Naturally, the director is a huge cinephile with a penchant for premium-grade film technology, so when constructing his new East Gate Bel Air, California property he knew that nothing less than a home cinema to rival all others would do.
It just so happens that Michael is a long time advocate of Barco, having relied upon the projector manufacturer’s handling of details, sharpness and colour for years.
“I’ve worked with Barco for 15 years; it’s my projector of choice,” says Michael at his unique California home. “When I present my large-scale films to audiences for screening, I bring in Barco equipment. I obviously wanted the very latest and best technical specs out there – and with the image being the most important thing to me – I knew my theatre had to have a Barco projector. It is simply the best.”
As the director desired a 25-foot screen, a Barco Ultra-Bright 4K DLP projector was chosen to fit the bill, providing the brightness, contrast and picture-perfect colour required.
“Brightness is the key for our eyes to see colour and detail – especially with 3D – and this is where Barco really excels,” he reasons.
The Barco projector occupies a new 40+-seat home theatre secured behind a solid sculptured steel door, nestled within a hidden moss tree garden, and was specially tuned for Michael’s home cinema in order to achieve the best possible image quality.
“Picture quality was of primordial importance and that’s where we came in,” Tim Sinnaeve, managing director for high-end residential at Barco, tells CE Pro Europe.
“He was expecting nothing less than the best image quality available on the planet today, with particular focus on stunning brightness, excellent contrast and picture-perfect colour.
“Mr Bay is well known for pushing the envelope, in particular in terms of technology. He wanted the very latest and best technical specs, with the image quality being the most important thing. With his expertise and experience with Barco projectors, he considered the Barco 4K projector to be the best available on the market.”

Designing The Theatre

Let’s start with the cinema – and what a home cinema it is.
Michael worked with renowned theatre architect and acoustical engineer, Jeff Cooper of Jeff Cooper Architects Inc for the conception of the theatre to ensure that all aspects met his expectations.
An area that can only be described as a ‘prop room’ can be found before the theatre entrance, kitted out with all things Michael Bay, including – of course – the vintage Camaro/Bumblebee from the Transformers series.
“He paid for the house, so he gets pride of place,” the director smiles.
The auditorium is in stark contrast to the ultra-modern home, exuding a more understated, old movie house feel with art deco flourishes and a huge dome sprinkled with twinkle-fibre optic stars. “This was a detail that I grew up with as a kid in the old Los Angeles grand movie theatres, so I wanted to create that feeling here,” Michael explains.
The theatre – which incidentally is the first private Dolby Atmos theatre in Los Angeles – boasts steeply inclined rows of curved stadium seating in order to maximise sight lines and assure optimum hearing lines.
By sculpting the rows in this manner, maximum screen size was achieved for overall dramatic impact. The medium back rocker seats are upholstered in purple mohair, custom manufactured by Irwin Seating. 
“Due to the excellent sight lines, every seat in the house is a great seat,’ says Jeff.
Naturally, the screen in enormous. The Stewart Filmscreen 12 foot high by 24 foot wide monster conceals five front speakers and two subwoofers that are mounted directly behind it for accurate acoustic imaging.
The Microperf screen contains thousands of micro perforations to enable acoustic transparency, coupled with the highest quality video image.
Not forgetting the Barco 4K digital video projector mounted in the projection/machine room directly behind.
“Even for a high end luxury home theatre, the screen size is exceptionally large at 24 feet,” Tim admits.
“Achieving the required brightness for that size screen would be a massive challenge for any home theatre projector – and one that few could meet - especially when no compromise can be made on any other aspect of image quality: resolution, contrast, colour accuracy.”
The Barco projector was more than up to the task however, and was able to meet that challenge without compromise.
The theatre itself is built to the highest digital standards and is DCI compliant.
“This means that released and unreleased studio films can be stored in various technical formats (Dolby 5.1, 7.1 and Atmos) and played back on demand via the encrypted hard drive, which is rack-mounted in the projection/machine room,” Jeff explains.
“The sound and projection system can be controlled by the projectionist or remotely operated by the owner using a wireless Crestron system.”

The Sound System

The Dolby Atmos theatre is home to 25 powerful speakers and independent channels of amplification. “The stereo imagery and bass levels in the room are astounding,” says Jeff.
QSC was selected to provide the sound system behind the screen, comprising five full range three-way speakers and two subwoofers.
The surround system is made up of 18 JBL speakers hidden in the side walls, rear wall and in the ceiling. 
“The sound and video system is integrated with the owner’s editing suites and post-production facilities to enable viewing of dailies and in-progress film production,” he points out.
Synergy Group, Inc, an affiliate of Jeff Cooper Architects, Inc, installed the video projection and Dolby Atmos digital sound system.

Theatre Acoustics

“The acoustics are controlled by a specially designed system of curved acoustical diffusers created by the theatre architect,” Jeff explains.
These shapes also contain bass traps to provide maximum low-end ‘punch’ throughout the theatre.
“Superb acoustic clarity is maintained in every audible frequency range at every seat,” he insists.

Star Dome Ceiling

What’s a top of the range home cinema without a star domed ceiling?
This was another request of the director, leading to the implementation of a 20-foot elliptical star dome, constructed using Swiss-engineered acoustical plaster manufactured by BASW Aphon North America. 
“The perimeter of the star dome is illuminated with concealed coloured changing LEDs to produce different sky effects, such as dusk or sunrise,” says Jeff.
“The stars themselves are created by over a thousand individual strands of fibre optic cable. A realistic star effect is achieved by using various fibre optic diameters and seven separate channels of hidden illuminators, equipped with dimming and twinkle modulation circuits.”
And when the mood strikes, various constellations and star patterns can be remotely programmed and triggered to synchronise with music.
Eagle eyed astrologers will notice that the main star pattern is based on a computer-aided mapping of the Aquarius constellation.
As a market leader in digital cinema, Barco is currently working on many new initiatives, some of which involve working with renowned film directors such as Michael Bay, but this didn’t mean the project wasn’t daunting.
“It’s not every day that you get to work on a home theatre project for a Hollywood director of Mr Bay’s stature,” Tim admits.
“Also, the sheer magnitude of this project was quite unique, with no compromises made. This is a 40+-seat theatre with curved rows of stadium seating, where both picture and sound are of the absolute highest standard; everything is geared towards having the best possible experience for every single seat. The system is also integrated with Mr Bay’s home editing suites and post-production facilities. There are few home theatres in the world that could rival this one, so it was fantastic to be part of it.”
The director has enjoyed a lengthy relationship with Barco, and seemed sure that the manufacturer’s image quality would meet his expectations
“That being said, anyone would feel pressure when working on a home theatre for a movie director of Michael Bay’s stature, who has directed and produced movies that have grossed $6.5 billion worldwide!” Tim exclaims.
“Seeing the movie as the director intended takes on a whole new meaning when the customer is … the director!”
Judging by Michael’s comment that he now owns “one of the very best home theatres in the world” and the fact that the cinema wowed Steven Spielberg upon visiting, Tim has nothing to worry about.

Barco’s Residential Focus

Tim explains that Barco has been part of a number of installations – often for movie industry professionals – in the past following on from the manufacturer’s work in digital cinema.
It quickly became obvious to Barco that it has a lot to offer for high-end residential applications, not just limited to luxury home theatres.
With Barco Residential, a new focus on image quality was born.
“We are now putting specific focus on this, together with a select group of custom integration partners, that can deliver tailor made solutions that create unique experiences for our customers to share with their loved ones,” Tim explains.
“To achieve this, our customers can count on Barco Residential always being at the forefront of technology, creating the best possible image quality and experience at every level of our offering.”
The Prometheus 4K projector is Barco’s current flagship projector for ultra-high end custom home theatres, built on the manufacturer’s know-how as a market leader in professional cinema and post-production projection, only customised to the high end home.
“We are hoping that projects like the Michael Bay theatre will help re-focus the discussion on image quality in general, which we feel is not getting the attention it deserves. Too many custom home theatres feature fantastic audio, but mediocre video quality, and that’s not just about resolution.”
Indeed, colour accuracy, uniformity, brightness and contrast are as important, and one could argue that everything needs to be in balance to experience content as the creator intended it.
“The design and technology choices we make in building a projector are critical, and that’s why Barco Residential exclusively uses DLP technology coupled with the highest quality optics to achieve the best possible overall image quality,” Tim clarifies.
True to its word, Barco Residential is introducing several innovations for this market, starting with its Orion and Optix Cinemascope projectors, featuring a new DLP chip (developed by Barco in partnership with Texas Instruments) that supports a resolution of 2,560 x 1,080 whilst providing native Cinemascope 2.37:1 images without the need for anamorphic lenses.
According to Tim, this represents a 78% increase in pixel count over Full HD for Cinemascope content and the majority of feature films.
“No longer do you end up with black bars top and bottom, losing a lot of the available real estate and resolution (including on 4K projectors),” he explains.  “Combine this with a new ultra-short throw lens and a rear projection screen for example, and our custom integration partners can offer other innovative solutions such as custom-built giant screen ‘TVs’ that can be perfectly integrated even in high end flats where space is at a premium. This and other innovations we are working on enable a new breed of architecturally integrated custom video solutions, combining performance and aesthetics. It’s exciting what we can do with our technologies in this market, and that’s not limited to projection!”
Michael Bay being such a high profile client can only help draw attention to the residential side of Barco’s offering, potentially spearheading a new wave of business opportunities as the manufacturer is seen in a new light.
“I have to say that we are extremely proud,” Tim smiles. “With Barco Residential, we really want to bring the focus back on image quality in high end residential applications and it doesn’t get much better than having a seal of approval from a movie director of Michael Bay’s stature. Hopefully this will help set new standards for high end home theatres.”



sursa: ce-pro.eu